It was only a
matter of time before the back storied world – building and myth - making that
powered one too many money – minting superhero franchise seeped into the horror
genre. We saw glimpses of it in the Conjuring and Insidious universe which has
been yielding increasingly diminished returns to begin with and now, Leigh
Janiak has upped the ante with her offering of three movies based on R.L
Stine’s series, “Fear Street”, spanning centuries, to be dropped in
installments over the course of a month on Netflix. The film is not a faithful
adaptation and is a much darker take on R.L. Stine’s work which was written for
children and therefore does not feature the body count, blood and gore that are
prerequisites for a slasher flick. In fact, his books were once famously
described as a ‘literary training bra’ for Stephen King.
“Fear Street Part
One: 1994” is set in Shadyside aka Shittyside. The town has an unfortunate
history of ordinary people suddenly losing all their marbles and going on
killing sprees. This is exactly the sort of thing that can give a place a bad
rap and lead to plummeting property value, plunging the citizenry into poverty.
Their problems are compounded when the
film opens with yet another Shittyside massacre in a mall and the people have
to cope with the scale of the tragedy even as the media highlights similar
gruesome incidents from the past contrasting the town with the neighboring
Sunnyvale, which is picture perfect and prosperous to boot. Naturally, they
tend to look down on Shadysiders, going so far as to blame them for their perpetual
wretchedness.
Deena (Kiana
Madeira) has just put together a bitter mixed tape for her ex, Sam (Olivia
Welch) who has moved to Sunnyvale and is not inclined to buy into theories that
a witch named Sarah Fier has placed a curse on the town making it a breeding
ground for serial killers who go about the business of slaughter in wildly
creative and surpassingly gruesome ways. Deena’s brother (Benjamin Flores Jr.)
is a bit of a nerd who has made it his business to study the legend of the
witch. Her friends Kate (Julia Rehwald) and Simon (Fred Hechinger) are selling
pills to their school mates in a determined effort to pick themselves up by the
bootstraps and better their lives. On an eventful night, Sam accidentally
disturbs the grave of the witch and paints a bullseye on her back, dragging
this oddball group of friends into a night of mayhem and murder.
Janiak treats
these characters with respect and it is why we come to care for them though
they can be abrasive and unlikeable on occasion. They make a lot of bad
decisions but they are not blamed or shamed for it, because the film
understands the brashness and desperation of youngsters who are heartily sick
of adults, unwilling to take the time to listen to their fantastical claims,
wrapped up as they are in their own worlds. Fittingly enough, the adults
barring a few exceptions are mostly absent. Even the burgeoning sexuality of
these characters is not treated as something to be used for purposes of
titillation or as a cautionary tale. This sensitivity is not common in this
particular genre and makes for a refreshing change of pace.
“Fear Street Part
One: 1994” is high on nostalgia, the occasional jump scare and boasts of a
rousing score but it is hardly the most frightening film out there even though
parts of it are truly disturbing and make you feel a little queasy. Even so, it
is interesting enough to make you want to come back for the second installment.
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