Book Review: Rosalyn D'Mello's A Handbook for my Lover
Rosalyn D’Mello’s A Handbook for my Lover, which she asserts isn’t entirely
fictional, is so exquisitely crafted and erotically charged it took my breath
away. A young writer strips her relationship with her much older photographer
lover of every scrap of clothing, leaving it nakedly exposed and bathed in the
intense glow cast by the sheer poetry of her elegant prose, inviting bystanders
to revel in the haze of sensuous introspection and be a voyeuristic onlooker,
included within a love affair in progress.
This
is one striptease that is remarkably free of all things obscene even at its
most brazen when the stripper dwells at length on the taboo thrill of “…manusturprare, to defile with the hand”,
intercourse during “monthly spillage”, the perils and pleasures of traversing
“the universe of love and the paradise of sex”, discovering the ecstasy of
feasting on the delights down under or the hazards posed by an unbearably long
dry spell in the boudoir in the course of a relationship that occasionally
flounders because it has no destination. No subject pertaining to matters of
the heart is shied away from and D’Mello flashes a light on every hidden nook,
cranny and unwashed crevice in the landscape of love, scrutinizing it till she
and her passenger have both had their fill of gazing.
A
skilfully constructed memorabilia, this handbook celebrates the joy of living
life voraciously, hedonistically and with wild abandon, greedily gorging on
every particle of pleasure that the human existence affords, be it a Chilean
Red with wood – fired pizza, truly epic sex or the slow honing of one’s craft
against the flesh and blood of an all – consuming passion. Interestingly enough
for a work of erotica, A Handbook
offers equal if not more insight into the fine art of conceiving and creating
art be it writing or photography as it does love and lovemaking.
Bolstered
by pithy inputs from fellow romantic conquistadors skilled in gathering
together gems of wisdom and pinning it down on paper like Roland Barthes, Alain
de Botton, Sylvia Plath, Jane Austen, Jacques Derrida and Kamala Das, D’Mello
lovingly assembles the pieces of her grand love story while flipping the bird
at absurd convention. With endearing candour she reveals her insecurity about
her dark complexion which pre-empted her need to be desired and deep – seated
wish for “earthly delights with all the seven deadly sins for company.” Her
lusty revelations of sexual escapades, tampons made of toilet paper, and
inability to walk away from the man who was the fount of her agony and ecstasy
makes for a book that is to be slowly savoured and thoroughly enjoyed.
Too
many books, TV shows and movies have been devoted to the tired subject of
romantic love with its attendant mundane, low octane drama rendered at a
feverish pitch, inclusive of every form of physical and emotional chouchou that
is usually irritating and occasionally uplifting or arousing. What makes A Handbook stand out is the raw honesty
and sheer ballsiness of the author, who is also possessed of an impressive
ability to string together a sentence with stylish craftsmanship as well as
profound intensity.
Even
more importantly, it is a formidable effort in an increasingly intolerant
climate where women are encourage to cower behind their dupattas and pretend to
be coy, inexperienced virgins till they kick the bucket. How then can it be
possible to resist the unstoppable D’Mello who says of herself, “I am all cunt,
all receptacle, all slush.”? More power to her and the other women out there
who refuse to be afraid.
This review originally appeared in The New Indian Express
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