Neel Mukherjee’s Man Booker shortlisted,
The Lives of Others is a study in
skeletons. Those bony frameworks that support the human organism grinning all
the while, irritatingly smug about the knowledge they have accreted about the
terrifying things that lurk beyond the grave from rotting flesh and squirming
maggots to the solitary journey of the soul along an unlit passage. Mukherjee
concerns himself particularly with those skeletons that have been banished to the
deep recesses of the closet by the Ghoshes, as bourgeois a family as they come,
where the sceptre of the painful secrets they harbour need not pose a threat to
the living who would rather concern themselves with the fripperies and
fopperies of a superficial existence. If that were not ambitious in itself, he
also ferrets out the bony remnants of the corpses that a nation released from
the iron grip of the British Empire has made it a habit to relegate to the
hidden chamber of wilful ignorance by slavishly catering to the demands of the
very rich at the expense of those who languish below the poverty line.
Three
generations of Ghoshes live together in a four – storey house in South Calcutta
feeding off the short – lived prosperity that was made possible by the
patriarch, Prafullanath who built his business empire on the foundation of
great personal loss, its subsequent pain and a ruthless desire to get ahead at
all costs even if it meant hoodwinking a grieving widow or riding roughshod
over those weaker than him. Evil omens stalk the family that is already
splintering from within as the Ghosh siblings, daughters – in – law and
children endlessly slug it out, incessantly jockeying for a bigger share of the
family assets and increased leverage in their airless corner of the world,
causing the old man to remark morosely, “I feel I have just been a conducting
pipe between the bad in the past and the bad in the future.”
Even
as his family remains locked in their infernal squabbling, neck-deep in the
juices of base inequities such as incestuous bonds, substance abuse, the
relentless pursuit of taboo pleasure, furtive practices of forbidden sexual
peccadilloes, and casual cruelty, Supratik, a young college student with his
head well and truly turned by misguided idealism supplemented by his obstinate
impracticality leaves home hoping to change the world by redressing the wrongs
meted out to the have-nots using brute force and bloody insurrection if need
be.
Mukherjee
strips his colourful array of diverse characters to the bare bones affording
his readers a voyeuristic glimpse into the intimate secrets contained therein
triggering shock, amazement and often, shame. For, he extends the same
unflinching treatment to a country that has gone mad with greed, divesting it
off the layers of hypocrisy and pretentiousness which continue to cloak it,
long after the fictional events this novel chronicles from the 1960s, even as
the rift widens increasingly between those who are insulated by extreme wealth
and the rest who are left out in the cold. None can remain untouched by guilt
for having contributed in infinitesimal ways to the class divide that has made
victims out of too many to count, trapped in the knowledge “that the world is
as it is, and knocking your head against its hard shell is only going to break
you, not dent the world.”
The
narrative forges ahead into the thorny terrain that Supratik has chosen to traverse,
to the assorted variables that led to the rise of the Maoist Naxalite
guerrillas, taking the time to meander into the heart of the turmoil that is
always rocking this particular household throwing into sharp focus, their petty
foibles that mirrors the rot in the society that birthed them. As Supratik and
his family hurtle towards their fate, melodrama rears its head and saturates
the proceedings with a curious mixture of horror and disbelief, striking a few
discordant notes regarding the logic underlying some of the pre - climactic
events that see the inexplicable return of the prodigal son who is a wanted man
bringing predictable disaster in his wake. This aside the intense action
culminates in an explosive finale that will leave a chill in the heart which
will not be easily dispelled.
An edited version of this review appeared in the New Indian Express, which you can check out here.
No comments:
Post a Comment