Short
stories have been getting the short end of the stick, with publishers refusing
to even consider carefully curated collections in this format favouring
anthologies with big names instead. This has changed with Kannada writer, Banu
Mushtaq’s Heart Lamp: Selected Stories getting longlisted for the Booker Prize.
Countless short stories are now being unearthed from regional languages and this
reviewer got to sample classic collections sourced from the late nineteenth to
the mid-twentieth centuries and lovingly edited by Mini Krishnan.
The Second
Marriage of Kunju Namboodiri and other Classic Malayalam Stories translated by
Venugopal Menon is flavoursome as they come. Some of the fare sparkles with
gentle wit or a touch of romance and others are filled to bursting with pathos
or passionate outrage, with most caustically addressing the stupidity that
characterizes much of the human race, especially the male of the species and
the far from sensible strictures, customs, and traditions that were tyrannically
enforced.
C.
Chinnammu Ammal’s A Case of Homicide written in 1913, interestingly enough has
a similar denouement to Arthur Conan Doyle’s The Problem of Thor Bridge (1922).
Both are about vengeful characters seeking to frame an innocent person for
murder using an ingenious trick with a gun. M. Saraswatibhai’s Witless Women,
T. Devaki Nethyaramma’s An Ideal Wife and V.T. Bhattathirippad’s Illusion or
Delusion are moving accounts of the tortuous conditions women endured despite
Kerala’s famed matrilineal tradition. In these tales, women are saddled with
weak men who in addition to their many inadequacies have monstrous egos that
are committed to actively harassing the women in their lives irrespective of
whether they were relatively nice men or downright nasty. But it was an age
when women were taught to shut up and put up with a smile even when they were
being grossly abused and to stay loyal to their husbands unto death and beyond
because widowhood was worse and the ill – treatment freely meted out to these
‘inauspicious’ women usually drove them to madness, penury and a slow death.
A Teashop
in Kamalapura and other Classic Kannada Stories translated by Susheela Punitha
is a humdinger of a collection with tales so potent and poignant you will find
yourself unable to put the book down despite buzzing notifications. K.
Vasudevacharya’s Malleshi’s Sweethearts about a bumbling search for a spouse is
delightful. Many of the stories address social evils targeting women and the
poverty stricken.
A.Sitaram’s
The Girl I Killed features a temple slave who is a victim of a patriarchal
tradition that exploits female bodies and shames them to death for it. K.
Srinivasarao’s The Master’s Satyanarayana is a heartbreaking tale about rich
people’s greed which deprives the poor of the little they have. Saraswathibai
Rajawade’s The Battered Heart exposes sleazy Godmen who preach about the
virtues of celibacy while grooming underage girls to be brainwashed into
becoming willing bed mates. Belagoankar’s short sheds light on the Niyoga
tradition sanctioned by epic lore where women desperate to become mothers after
being berated for their ‘failure’ are pressured into setting aside rules of
chastity to welcome a man of proven fertility to impregnate them. In Between
Rules and Regulations, Sara Aboobacker excoriates the triple talaq.
Maguni’s
Bullock Cart and other Classic Odia Stories translated by Leelawati Mohapatra,
Paul St-Pierre and K.K. Mohapatra include tales from the pens of those who
risked a lot to raise their voices against oppression. Fakir Mohan Senapati has
two stories featured here with the first addressing how challenging it was back
in the day to provide an education for a girl child in almost unbearably
melodramatic fashion and the second, which is in a lighter vein recommending a
form of treatment for husbands prone to heavy drinking, drug use and
womanising. U. Kishore Das writes about a ghost whose husband and former suitor
were unmitigated jerks who ended up being the end of her. Biswanath Rath’s tale
has a widow who is a victim of a baseless canard that makes her already
wretched existence immeasurably worse. Suprabha Kar’s The Long Wait shares the
plight of a young wife whose husband subjects her to savage beatings after he
blows up her dowry which sends her hurtling down the path of whoredom and
worse. Routeray’s Flower of Evil about an abandoned wife who dies while trying
to abort her illegitimate child is a sock to the solar plexus.
These
stories written with touching simplicity sans the artifice and stylistic
literary devices that are liberally employed today by the literati to espouse causes
endorsed by the privileged are redolent with emotional honestly and far more
effective in striking a blow against social injustice. They wrack the
conscience and make one glad to be alive in a world where we are more aware of
individual rights even if we couldn’t care less about the greater good.
This book review was originally published in TNIE Magazine
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