Twists are a tricky business. They can
make or break an artiste as Manoj Night Shyamlan will ruefully attest to. Fowler
takes quite the risk with her shocler which is revealed 77 pages into her
gripping tale, in the Man Booker shortlisted, We are all Completely Beside Ourselves. As far as these things go,
hers is quite clever not to mention “irritatingly coy” and feels more than a
little ludicrous. On the strength of it one tends to become a tad dismissive
about the weighty themes the writer had hitherto been grappling with using a
deceptively deft touch and surreptitiously clever writing that draws up dread –
inducing visions of the smoking ruins of a family that once included loving
parents and three siblings, two of whom are gone possibly never to return.
Then
a miracle occurs and ever so gently, Fowler weaves her intricate spell pulling
the unsuspecting reader into the heart of her wondrous story, filling them with
empathy and getting them invested emotionally with every one of her characters
irrespective of whether they are human or not. Case in point is a marionette we
get to know as Madame Defarge and whom Rosemary Cooke, the narrator/protagonist
tries unsuccessfully to protect only to wind up losing her the way she has too
many of her loved ones.
Rosemary
is reeling from a double blow - the loss of Fern, the twin sister who has been
taken away from her and whose departure she might well have brought about in
the extreme throes of sibling rivalry and Lowell, the runaway brother, she
adores, now embarked on a self – destructive path of no return and who with the
inexplicable cruelty of the very young may have held her responsible for the spectacular
disintegration of their family. As always, Rosemary is inclined to agree with
her beloved sibling and for the longest time she runs from her past as though
it were a hound from hell out to get her, armouring herself in denial until the
day she realizes that her very future is imperilled because of her inability to
confront the ghosts from her unorthodox childhood that refuse to die.
In a bid to make amends and to absolve
herself of the debilitating guilt that has long enslaved her, Rosemary begins a
meandering journey through the dangerously slippery slope that is memory,
piecing together pieces of her life that are too painful to be borne even as
the phantasmagorical wisps of clues dredged up from her tormented psyche play hide
and seek with her, concealing, misleading and tricking her outright into a
false sense of security before pulling her down under and leaving her
breathless with misery.
Funny
in parts but mostly heart – rending, Fowler draws attention to the ethical
obligation that science and scientists owe species ranked lower on the food
chain than the homo sapiens, in their often ruthless quest to alleviate the
suffering of the latter be it from illness or their frustrated attempts to zero
in on the perfect moisturizer or lipstick. Sterile labs that carry out their
secret experiments have seldom taken on a more sinister cast. Needless to say
the author is far more effective than animal rights activists with their
penchant for featuring topless celebrities in order to induce people to curb
cruelty towards our four – legged and feathered brethren. In fact, readers will
undoubtedly experience an unexpected pang of guilt, the next time a filthy
rodent crosses their path and be warned that a fun - filled trip to the zoo,
especially the monkey enclosure is likely to bring on a fit of hysterics.
Rosemary
Cooke is a wonderful narrator with a disconcerting but delightful habit of
engaging her audience directly - “My father made a crude joke... If the joke
were witty, I’d include it, but it wasn’t. You’d think less of him and thinking
less of him is my job not yours.” as she bares her soul with exhibitionist and
gay abandon provoking laughter and tears in equal measure. With her intimate
reveal of fractured relationships and scientific experiments gone hopelessly
haywire, this moral comedy is a harrowing hoot and a half.
An edited version of this originally appeared in the New Indian Express. You can read it here.